Nokia's 41 Megapixel Camera Mobile Phone


Nokia's 41 Megapixel Camera Mobile Phone





Nokia ignited a bit of a controversy on Monday when it unveiled a smartphone with a 41 megapixel camera sensor dubbed the 808 PureView. Yes, you read that right—41 megapixels, not 14, or 4.1. It will soon be possible to buy a smartphone with as many megapixels as some low-end, medium-format digital SLRs.


Has Nokia completely succumbed to the megapixel myth? Well, no. Instead of positioning the PureView as the smartphone equivalent of a professional digital camera, Nokia is turning the conventional thinking that originally drove the increasing pixel counts of digital cameras on its head, and developing novel ways to exploit an overabundance of pixel data.


While we think there is room to criticize Nokia's specific implementation, there are plenty of good ideas wrapped in the "PureView technology" rubric that we think other smartphone makers—or for that matter, digital camera manufacturers—should consider.


Ridiculous megapixel counts


Forty-one megapixels is, on its face, a seemingly ridiculous number. Many current smartphones struggle to produce decent images even at a more common 8MP. Current compact cameras max out at about 16MP, and even top-end digital SLRs rarely reach pixel counts beyond 20 million or so.


The highest megapixel count on a conventional DSLR to date is Nikon's recently announced D800, which tops out at 36MP. And even that camera, which contains a full-frame 35mm sensor (24 x 36mm), has been criticized for having an overabundance of pixels crammed into the sensor.


The reason for the criticism is fairly simple. With all other factors being the same, capturing a higher number of pixels with a given sensor size means the individual photodiodes at each pixel location are smaller. Generally speaking, the smaller the photodiode, the less sensitive it is to light. Smaller sizes also mean that a smaller number of photons can saturate the diode, reducing dynamic range. And smaller sensors also mean decreased sharpness due to diffraction.


So, if the relatively large sensor on the D800 can suffer these effects with full-size professional lenses at 36MP, how can we honestly expect great performance from a much smaller, smartphone-sized sensor, its corresponding tiny lens, and a seemingly astronomical 41MP count?


If the 808 PureView were intended to be a 41MP camera, you would be justified in criticizing Nokia engineers' sanity. However, Nokia made some design decisions, such as utilizing a relatively large 1/1.2" sensor, to improve performance. Also, it's exploiting the high megapixel count to do interesting things such as oversampling to reduce noise, and creating one of the first usable "digital zoom" features to grace a compact camera.


Nokia says that its 808 PureView is merely the first smartphone to launch with its PureView technology, so it stands to reason that the company will exploit the technology in future models. We also think the ideas behind the technology are smart ones—more on that shortly—so don't be utterly surprised to see the megapixel counts of smartphones suddenly skyrocket if other vendors decide to implement similar features.


Bad news first


The 808 PureView runs Nokia's ancient Symbian operating system. Not only does this mean you'll be stuck in the relative smartphone dark ages if you opt for its impressive photography specs, it also means this particular model will probably never officially make it to US shores. 


Though the iPhone 4 and 4S have gained significant popularity among casual shooters for its image quality, the iPhone is still a smartphone first, with camera capability added on—and the same can be said of most Android and Windows Phone 7 handsets. Many serious photographers would still prefer to have something more like a camera first, with smartphone features grafted on.


The Nokia N8 was a step in this direction with its 12MP sensor, Carl Zeiss lens, and proper xenon flash. The 808 PureView is another step in this direction, with the smartphone's size largely dictated by its internal hardware. To maintain comparable noise response to today's smartphones, Nokia had to use a relatively gargantuan sensor. Most smartphones today use a 1/3.2" sensor, roughly measuring about 4.5 x 3.4mm, and with 8MP that makes each pixel about 1.4 microns apart. To keep the same pixel pitch with 41MP, the 808 PureView has a 1/1.2" sensor that's roughly 10.8 x 7.5mm in size. That's over 5 times larger than typical smartphone sensors, and larger than the sensors used in most compact cameras sold today.


A larger sensor also requires a larger lens relative to smaller sensors. And, the 808's xenon flash tube and its power capacitors likewise require far more physical space than the meager white LEDs that pass for flashes on most smartphones. With such beefy hardware, it's no surprise that the 808 PureView is a bulky 18mm thick where the camera is positioned. That makes other smartphones seem wafer-thin in comparison, with the Samsung Galaxy SII measuring 9.9mm at its thickest point, and the iPhone 4S just 9.3mm.


So, if you want one of the most advanced smartphone cameras on the market, you'll have to settle for a brick in your pocket running yesteryear's operating system.


But boy, what an upside


On the other hand, Nokia has made, judging from specs and early samples alone, one of the best smartphone cameras on the market. For one thing, the 808 PureView is actually, by default, a 5MP camera. If the camera is making images with just 5MP, though, why bother with the huge 41MP sensor?


The answer is oversampling. At its default 5MP setting, every pixel in the finished image corresponds to about eight pixels on the sensor. This oversampling helps reduce noise, increase color accuracy, and increase sharpness.


Digital photo sensors are typically only sensitive to brightness, not color, which would result in a monochromatic, black and white image. To record color, sensors are covered with a patterned array of red, green, and blue filters known as a Bayer filter. By filtering the light that hits each pixel, some pixels record the intensity of red light, some blue, and some green. To determine a red, green, and blue value for each pixel location, the missing values for each pixel are interpolated from surrounding pixels.


Since each pixel in a finished 5MP image on the 808 PureView gets data from eight different pixel locations on the sensor, a value for red, green, and blue can be determined without extra interpolation. Furthermore, noise caused by some pixels returning random or inaccurate values is effectively averaged out by combining data from more than one pixel location. This results in more accurate color and reduced noise overall.


Additionally, oversampling reduces the softening effects of the Bayer filter, the anti-aliasing filter, and diffraction of the tiny lens, resulting in sharper images.


This type of oversampling is actually something you have probably seen quite often without even realizing it. If you have ever viewed an image in Photoshop at less than 100 percent view, you have seen the same effect. It's also the same kind of oversampling that is done when you reduce an image to a smaller size. Anyone with enough experience knows that if an image isn't super sharp or if it looks a little noisy at full resolution, that image will look much better printed at a small size or displayed on a screen at, say, 600-800 pixels wide. (It's also the same reason that images that may be noisy or soft can look sharp on the screen of your camera or smartphone.)




A sample 41MP image captured in bright daylight at ISO 55. Detail is quite sharp.
Nokia


Cropped at 100 percent, detail is still quite sharp. However, even at ISO 55 there is visible noise. Oversampling would make the noise virtually disappear, though, as seen above.


In fact, the 808 PureView isn't even the first camera to implement such oversampling—it's just more commonly called "pixel-binning." Some compact cameras use this technique to offer special "high ISO" modes for low light, as long as you're wi lling to settle for reduced pixel resolution. The difference is that by default the 808 PureView uses pixel binning all the time.


Resource: arstechnica.com

Michael Jackson - The King of Pop

Michael Jackson - The King of Pop

Michael Jackson, one of the most widely beloved entertainers and profoundly influential artists of all-time, leaves an indelible imprint on popular music and culture.


Five of Jackson's solo albums - "Off the Wall," "Thriller," "Bad," "Dangerous" and "HIStory," all with Epic Records - are among the top-sellers of all time and “Thriller” holds the distinction as the largest selling album worldwide in the history of the recording industry with more than 70 million units sold. Additionally, singles released from the Thriller album sold more than 100 million copies worldwide, another all time record.


During his extraordinary career, he sold an estimated 750 million records worldwide, released 13 No.1 singles and became one of a handful of artists to be inducted twice into the Rock and Roll Hall of Fame. The Guinness Book of World Records recognized Jackson as the Most Successful Entertainer of All Time and "Thriller" as the Biggest Selling Album of All Time. Jackson won 13 Grammy Awards and received the American Music Award's Artist of the Century Award.


Michael Jackson started in the music business at the age of 11 with his brothers as a member of the Jackson 5. In the early 1980s, he defined the art form of music video with such ground-breaking videos as "Billie Jean," "Beat It" and the epic "Thriller." Jackson's sound, style and dance moves inspired subsequent generations of pop, soul, R&B and hip-hop artists.


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Charlie Chaplin - The King of Comedy


Charlie Chaplin - The King of Comedy

Charlie Chaplin in the film Limelight.

Charlie Chaplin was born as Charles Spencer Chaplin in London, England on 16 April 1889. His parents Sr and Hannah Hill were music hall entertainers but separated shortly after Charlie was born, leaving Hannah to provide for her children. In 1896 when Hannah was no longer able to care for her children, Charlie and his brother Sydney were admitted to Lambeth Workhouse and later, Hanwell School for Orphans and Destitute Children.
His first stage appearance, at age five, was singing a song in place of his mother who had become ill. At eight he toured in a musical, "The Eight Lancaster Lads". Nearly 11, he appeared in "Giddy Ostende" at London's Hippodrome.

Chaplin was one of the most creative and influential personalities of the silent-film era. He was influenced by his predecessor, the French silent movie comedian Max Linder, to whom he dedicated one of his films. His working life in entertainment spanned over 75 years, from the Victorian stage and the Music Hall in the United Kingdom as a child performer, until close to his death at the age of 88. His high-profile public and private life encompassed both adulation and controversy. Chaplin's identification with the left ultimately forced him to resettle in Europe during the McCarthy era in the early 1950s.

Chaplin selected the costume with which he became identified. He described the process in his autobiography:
"I wanted everything to be a contradiction: the pants baggy, the coat tight, the hat small and the shoes large ... I added a small moustache, which, I reasoned, would add age without hiding my expression. I had no idea of the character. But the moment I was dressed, the clothes and the makeup made me feel the person he was. I began to know him, and by the time I walked on stage he was fully born."

In 1921 Chaplin was decorated by the French government for his outstanding work as a filmmaker, and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972 he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century." In 1975 England's Queen Elizabeth II knighted him. Chaplin's other works included musical scores he composed for many of his films. He also authored two autobiographical books, "My Autobiography" in 1964 and its companion volume, "My Life in Pictures" in 1974. Chaplin died of natural causes on December 25, 1977 at his home in Switzerland.

KFC to pay 8 million Australian dollars over girl’s brain damage


KFC to pay 8 million Australian dollars over girl’s brain damage




An Australian court on Friday ordered the fast food giant KFC to pay 8 million Australian dollars to the parents of a Sydney girl who was left paralysed and brain damaged after eating its chicken twister.


Monika Samaan fell seriously ill with salmonella poisoning after eating at the Villawood KFC in 2005, according to media reports here. The then-seven-year-old was in a coma for six months and acquired spastic quadraplegia with severe brain damage.


A New South Wales Supreme Court judge on Friday ruled KFC will have to pay 8 million Australian dollars plus legal costs after the lengthy litigation case. KFC denied it was responsible for the poisoning and said it will appeal the decision.


In a statement, the restaurant said the case was clearly tragic but they were “deeply disappointed and surprised” by Judge Rothman’s decision.


“We believe the evidence showed KFC did not cause this tragedy and, after reviewing the judgement and seeking further advice from our lawyers, we have decided to appeal Justice Rothman’s decision,” KFC Australia’s chief corporate affairs officer Sally Glover said.


The family’s lawyer George Vlahakis said the costs of caring for the severely disabled girl had already exhausted “the limited resources of the family”. He said they were relieved the court battle was over.


“Monika’s severe brain damage and severe disability has already exhausted the very limited resources of the family,” he said.


“Monika is now a big girl and they are finding it increasingly difficult to lift her and to look after her basic needs as well as look after Monika’s younger siblings.”


“The compensation ordered is very much needed.”


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